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Ian Houssenloge |
BACK TO WHERE I WAS |
$440.00 |
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BACK TO WHERE I WAS . $440.00 AUD Price includes GST, does not include delivery. 1740mm X 650mm Charcoal, enamel, acrylic on canvas. Hand made frame. The slightly askew figure creates an interestingly uneasy feeling as the brain registers what it sees then grapples with the notion that it is not entirely anatomically correct. The stark contrast of black and white creates a vivid wall hanging. |
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Ian Houssenloge |
DEBBIES TANTY |
N/A |
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SOLD
Acrylic on Canvas Approx size: 90cmX60cm
One of a range of paintings to feature the elongated, large breasted female forms my fantasies love to play with. By elongating and exaggerating I am able to create a feeling of movement, moment and extreme femininity. |
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Ian Houssenloge |
DOORWAY FIGURE |
N/A |
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SOLD.
Acrylic, crayon, enamel on masonite. Approx. size:40cmx80cm
I wanted to deliberately distract from the obvious human figure to explore what emphasis or impact this has on our sense making; to invite the surreal. The painted frame around the figure creates a field of reference that defines a particular movement or pose. This invites the thinker to not only recognise the figure but entices reason, or the creation of a story. |
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Ian Houssenloge |
ELEMENTS FEEDING DESTRUCTIVELY FROM MUMMA N'S BREAST |
$770.00 |
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SOLD Enamel, acrylic, crayon, polyurethane on masonite. Size:980X780mm
I cannot understand what it was like to be in the west facing suburbs of Canberra on that afternoon in January 2003. I only have my imaginations and my interpretations of others’ accounts. I began to create this image on that very eve, as the speculative tally of loss climbed higher and higher…and I waited for my friends to call. |
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Ian Houssenloge |
IRON LEUNIGS |
N/A |
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**SOLD** Iron Leunigs is so named because it was inspired by the trademark spirals so prevalent in much of Leunigs work. Heat was used to distort powder coated mini-orb and thus create the crazing effect. enamel paint was then used to create the mother of pearl type lustre that is a feature of this work.The black clouding is soot created from the oxidising process used. Powder coated mini-orb, enamel, timber frame. 2005 |
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Ian Houssenloge |
MALEBUST |
$280.00 |
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**SOLD** (Framed). Price includes GST. Does not include delivery.
Enamel, acrylic, crayon, charcoal on masonite. Approx. size: 800X500mm
A remnant feel has been created by a lustrous mix of media almost emulating that which might be expected to be found on a modern cave wall. (I guess the frame spoils that). It is further enhanced by the torn edge of the masonite that has been torn from a second hand door in my search for flat things to paint on. |
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Ian Houssenloge |
MENOPAUSAL REFLECTION |
$5,500.00 |
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$5500.00 AUD price includes GST. Does not include delivery. Acrylic on Canvas. Approx size: 6 metres X 1.8metres This giant painting is actually the first painting I have ever done where I did preliminary sketches before starting! Once the canvas was stretched ( a feat in itself) the image just flowed from the brushes. Whilst the form of the inwardly reflective woman has not changed, the colours and hence the mood of the painting evolved over several months. This piece has been on public exhibition at the Cowra gallery during it’s “Big and Bold” exhibition, where it was actually too big to fit on any of the gallery walls |
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Ian Houssenloge |
PARADISO |
$330.00 |
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$330 AUD (Hand Framed). Price includes GST. Does not include delivery.
Acrylic, enamel, polyurethane on MDF. Size: 1680X 1110mm
The idea of a landmass in the shape of a reclining woman is one that has amused my mind for many years. (If it existed then Richard Brampton would probably own it!) Finally it came to life for me with this crude, yet bright and simplistic painting, which brings life to my cluttered bedroom as it takes pride of place over the bed. |
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Ian Houssenloge |
PAULAS LONG |
$550.00 |
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**COMMISSIONED WORK-SOLD** Powder coated mini-orb, enamel, timber frame. 2005 Heat was used to distort powder coated mini-orb and thus create the crazing effect. enamel paint was then used to create the mother of pearl type lustre that is a feature of this work.The black clouding is soot created from the oxidising process used. The bright color is the color from a backboard used in the framing and can bee seen through the holes burnt through the iron. because this work was commissioned the size and colour were determined by the investor and the pattern was to reminiscent of "iron leunigs"(see paintings section of this website). This was one of a two part work. The accompanying hanging is titled "paulas short" and can be seen on the paintings page of this site. |
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Ian Houssenloge |
PAULAS SHORT |
$550.00 |
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**COMMISSIONED WORK - SOLD** 400 X 300mm (approx)Powder coated mini-orb, enamel, timber frame. 2005 Heat was used to distort powder coated mini-orb and thus create the crazing effect. enamel paint was then used to create the mother of pearl type lustre that is a feature of this work.The black clouding is soot created from the oxidising process used. The bright color is the color from a backboard used in the framing and can bee seen through the holes burnt through the iron. because this work was commissioned the size and colour were determined by the investor and the pattern was to reminiscent of "iron leunigs"(see paintings section of this website). This was one of a two part work. The accompanying hanging is titiled "Paulas Long" and can be seen on the paintings page of this site. |
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